![]() ![]() You want to force the GoPro to expose via shutter speed and not via ISO. Keep the ISO settings to 100 to avoid noise. It’s generally better to set it manually than having it set to auto. 5500K for normal daylight and 6500K for cloudy days. Set the white balance depending on the light. With higher settings, the sky will easily get too bright. ![]() Lower levels, like -1 or -2 are good if you want to expose for the sky. 0 or -0.5 is good if the midtones (buildings etc.) should be well exposed. The EV Compensation depends on the conditions. EV Comp: 0 to -2, depends on the conditions You can still crop in post if you want a tighter frame. Never change the zoom setting, doesn’t matter if time-lapse, video or photo. Output: Raw ensures that you shoot raw photos, which gives you bigger files but the very best quality this camera can produce. Setting the shutter to auto works fine with GoPro cameras as they do a very good job adjusting the exposure without cause much flicker. That gives the GoPro the option to lower the shutter speed quite a lot, which leads to better exposure with the lowest amount of noise. For night or day to night time-lapses set it to at least 15, better 30 seconds or more. Interval: Depends on the conditionsįor interval, I recommend 5-10 second under daylight conditions. If you set it to video, you save a bit of time in post processing but you loose quality and flexibility when it comes to animations in post. The format setting is important to set to photo, because capturing single raw photos give you the highest quality and again capture all available pixels from the sensor. If you would use anything else, the GoPro crops in and you loose quality. Setting the lens to wide ensures that you capture all pixels from the sensor. Time lapse Settings MenuĪfter choosing the time lapse or night lapse mode, you can make further adjustments. It can also help when you use nd-filters over the day to capture motion blur in your time-lapse. So if you want to shoot time-lapses in the night, sunset or day to night, the night lapse mode is the correct one. The night lapse mode just focuses more on lowering the shutter speed to expose correctly. Both modes work very similar and the settings are actually identical. The modes that are interesting for us are time-lapse and night-lapse. ![]() We’re not talking about this mode in this post because hyper lapses are a bit different than static time-lapses. It creates a video file, so you don’t get the full 20MP resolution, but therefore it’s already. There you find 3 options: TimeWarp, Time Lapse and Night Lapse. You simply do that by swiping from the left to right on the screen. Settings Time lapse ModeĪt first you want to set your GoPro Hero 9 to time-lapse mode. Having this resolution allows for animation in post and it helps to capture more details in landscape time-lapses.īut how can you do it exactly? In this post, I will give you my best tips to capture amazing time-lapses with your GoPro Hero 9. The update is ready to download for the Hero10 now, though you’ll need the GoPro Quik app (opens in new tab) to get it.Did you ever consider using your GoPro to shoot time-lapses? If not, you should definitely do it as GoPro cameras can get you pretty good results.Įspecially the GoPro Hero 9 is great for that because it can shoot 20MP raw photos. It’s the frame rate that film used to be shot and projected at, so people associate it with movies, more so than the ultra-realistic look of 60p. While higher frame rates are popular for good reason, as they’re what makes modern footage so delightfully smooth, 24 frames per second remains popular as it’s the “cinematic” look. A lot of users won’t be too bothered about this, but some will no doubt hugely welcome it. The last addition is a simple one – the update lets the Hero10 shoot at 24p. This has been around on GoPro cameras for a while, but this is the first time it appears in 5.3K, and it can be used at this resolution at 30p or 60p frame rates. GoPro describes this as the “most immersive in-camera digital lens”, which is a bit meaningless, but essentially what it does is use the full width of the 4:3 sensor to output a 16:9 video, rather than shooting in 4:3 and cropping. The second major upgrade from this update is the addition of the 5.3K SuperView Digital Lens.
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